Michael Phillips
The Thing
3 Stars
The slippery, effective new version of "The Thing" serves as a prequel to the 1982 John Carpenter film, explaining what went down, down in
Those disinclined toward Carpenter's version, as I am, may be surprised at how the new release nearly matches the gore levels the fright reached in an earlier, nondigital era of practical special effects.
Yet this latest "Thing" doesn't feel like one long autopsy the way Carpenter's film (which may as well have been called "Blech") did in its day.
Several things in "The Thing" announce themselves as assets straight off. For one, it builds very cleverly in its first half-hour, as a
The Dutch-born first-time feature director
Another asset: Winstead. She's good. The coolheaded skeptic in a mass of bearded Norwegians, plus an American or two and an Aussie, she bristles at the implied patriarchy of the remote, wind-swept operation. She also wields a flamethrower (there's a lot of flamethrowing in this picture -- a lot) like a champ when The Thing gets busy replicating, impaling and gnashing its terrible, terrible teeth. The actress is just right for this sort of role; her dark eyes bring a seriousness of intent to the tasks at hand. Though her character's deadpan underreactions to various ghastly sights sometimes recall her work in "
This "Thing," shot largely in northern
All three "Things," along with everything from "Invasion of the Body Snatchers" to "Alien," owe their central ideas to the Depression-era story "Who Goes There?" by
While I wish
"The Thing" Movie Trailer
MPAA rating: R (for strong creature violence and gore, disturbing images, and language).
Running time: 1:43.
Cast:
Credits: Directed by
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