Bradley Cooper and Robert de Niro
Limitless
Parts of the new thriller "Limitless" are exciting; other parts are familiar or fuzzy-headed, and the movie takes a rather more enthusiastic view of its fictional brain pill than did the original author, Dubliner Alan Glynn, whose novel "The Dark Fields" served as the film's basis.
But almost all of it works as wish-fulfillment fantasy.
A sleek black comedy built for speed, it's about a pill that, when ingested, makes you the smartest person in any given room. (In other words, it's a metaphor for the recreational cocaine era of the 1980s.) Would a healthy supply of such pills transform you into a hero or a jerk?
Halfway between heroism and jerkdom: This is where Cooper's sweet spot lies.
The actor's confidence (or arrogance, depending on your perspective) has a way of getting an audience on his side against an audience's better judgment. Cooper qualifies as a fairly sudden sort of movie star, having been boosted into theoretical box-office reliability by the success of "The Hangover." Armed with super-blue eyes and a blinding smile, he brings to the screen an aura of "Get outta my spotlight, or I'll have my goons make you get out." Yet Cooper's an able light comic performer as well as a shrewd dramatic actor, and "Limitless" lets him run considerable distances in both directions.
The novelist, Eddie, owes his editor a book, which he fails to produce in his drab little rental in
Eddie scores in the market, so well that
Director
I wish it didn't get quite so movie-stupid toward the end, with the violence. And I wish it had the guts to stay tough-minded. The film celebrates reckless, charming visionaries who say things like, "We're wired to overreach." The book had its opinion on such self-aggrandizement. The movie comes to a different conclusion.
But it's fun getting there.
"Limitless" Movie Trailer
MPAA rating: PG-13 (for thematic material involving a drug, violence including disturbing images, sexuality and language).
Running time: 1:45.
Cast:
Credits: Directed by
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