Michael Phillips
Bully
3 Stars
There are a hundred reasons "Bully" is a good film instead of a great one, but
However sentimental that may sound, this is a film quite literally for everyone and anyone: the bullied, the victimizer or the bystander who could use a reminder (as
The blunt force of Hirsch's film has less to do with grotesque cruelty and tragic consequences (though the lives revealed on screen contain plenty of both) and more to do with the sinister casual quality of so much bullying, too quickly and too often shrugged off by kids and adults as "part of growing up."
The movie calls foul on that shrug-it-off attitude. When a preteen student on a
Hirsch toggles between the stories of five kids across 94 minutes. In
Two other life stories in "Bully" are told through surviving parents. Seventeen-year-old
The documentary is wider than it is deep, by choice. It most fully comes to life chronicling the 2009-2010 school year, often difficult to watch, in the life of Alex (at
There's a significant lapse in "Bully." We rarely hear from any of the tormentors. The film inadvertently paints bullying behavior as shadowy and ultimately unknowable. The film could've used the amplitude of "The Interrupters," for instance, which forced the audience to question its own perceptions about the people behind the acts of violence and hatred. Also, Hirsch's basic visual strategy -- keep the subject in focus and artfully fuzz out the background -- resembles one too many 30-second TV ads.
These are limitations, but the film transcends them. It also transcends its own ratings controversy. Late last week the film's distributor,
All good. The best Hirsch's film can do, in the end, is remind us that bullying means more than we admit, and its effects aren't always immediately clear, even to loved ones. As the father of the late
MPAA rating: PG-13 (for intense thematic material, disturbing content and some strong language -- all involving kids).
Running time: 1:34.
Credits: Directed by
"Bully" Movie Trailer
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