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- iHaveNet.com: Movie Reviews
3 1/2 stars
The propulsive hostage thriller "Argo," the third feature directed by Ben Affleck, just plain works. It's heartening to encounter a film, based on fact but happy to include all sorts of exciting fictions to amp up the suspense, whose entertainment intentions are clear. The execution is clean, sharp and rock-solid. It's as apolitical as a political crisis story set in Iran can get. But "the first rule in any deception operation is to understand who your audience is."
So wrote Antonio J. Mendez, the
Prior to "Argo," Affleck directed the Boston-set features "Gone Baby Gone" (2007) and "The Town" (2010), and his strengths are very old-school. Not to pin it on his jaw, but Affleck's directorial approach is what you might call square-jawed. The technique is not subtle or original; his camera always seems most comfortable when framing a sweaty face under duress in chin-to-hairline close-up. But Affleck's approach works; it gets the job done. At a key moment near the end of "Argo," a moment designed expressly for cathartic applause and a swell of relief, you know what happened the other night? The audience applauded.
The real stuff first. In 1979, the year of "Kramer vs. Kramer," 52 Americans were taken hostage in Tehran by Iranian revolutionary factions sympathetic to the Ayatollah Khomeini. Meantime, however, six
Mendez concocted a plan: Fly into Tehran, posing as a member of a Canadian film crew scouting exotic locations for a "Star Wars" rip-off titled "Argo." Then fly out again, this time with the six Americans playing the roles of his Hollywood colleagues. In preparation, Mendez worked with Hollywood makeup artist (and longtime CIA contractor) John Chambers, played by John Goodman, in setting up phony offices for use by "
Most of "Argo" sticks with the fortunes of the escaped
Bryan Cranston plays a composite authority figure back in the states, Mendez's overseer. His is a face (you may know it from "Breaking Bad") that says: I mean what I just said. Damn it. The real-life "Argo" mission, according to Mendez, was risky but went off essentially without a hitch or a hiccup. The movie throws in all sorts of hitches and screw-tightening bits, and by the time maniacal, knife-wielding Iranian thugs are giving chase on the Mehrabad airport runway ... well, even if it seems hoked-up as you're watching it, and it does, it works.
The film's Oscar nominations are presumed to be a sure thing. I do hope that Affleck, behind the camera, can learn the value of letting a shot play out more than four or five seconds. The script of "Argo" works from an extremely efficient outline of story beats and payoffs. It's not rich in portraiture; the
Parts of "Argo" belong strictly to the movies. Other parts, the best parts, have one foot in the movies and the other in a real-life pressure cooker. In the populist vein of Ron Howard's "Apollo 13," Affleck's rouser salutes the Americans (and, more offhandedly, the Canadians) who restored our sense of can-do spirit when we needed it. We get into jams; we get out of them. The movies like those stories, wherever they fall on the fiction/fact measuring stick.
MPAA rating: R (for language and some violent images).
Running time: 2:00.
Cast: Ben Affleck (Tony Mendez); Bryan Cranston (Jack O'Donnell); Alan Arkin (Lester Siegel); John Goodman (John Chambers); Adrienne Barbeau (Nina).
Credits: Directed by Ben Affleck; written by Chris Terrio and Joshuah Bearman; produced by George Clooney and Grant Heslov. A
Copyright © Tribune Media Services, Inc.
Argo Movie Review - Ben Affleck and Bryan Cranston